An intimate portrait of late director, George Obadiah, made when Tal was a student at Tel Aviv University’s Department of Film and Television Studies. In the film, the immensely popular Obadiah who was loved by audiences and loathed by critics, sits down with Tal for an on-camera conversation, just two years before his death. Elderly, poorly, and frustrated that he is no longer making films, Obadiah opens up about his love of filmmaking and the principles that have steered him throughout his professional career.

Jim Rendall is 6 when his family gets killed. 25 years later he finds out why.

Victor Fortunetti is the lead player in a white slavery ring. Business is doing well until Asian mobsters muscle in on his turf. Then he becomes a crazed psychotic bent on revenge.

How and why feelings of depression carry over from childhood to overshadow adulthood are explained in the case of John Murray, an industrious and conscientious businessman. As his case history unfolds we see how persisting reactions to early emotional problems render him incapable of enjoying a happy, normal life.

A young man tries to make everybody happy including the girl he's in love with and her divorcing parents.

Maggie Smith, Frank Finlay and Charles Gray star in the adaptation of William Shakespeare's classic play. The Venice Titian and the Belmont of Botticelli serve as the visual inspiration behind this lavish production.

Director Abigail Graham’s contemporary take on The Merchant of Venice shows Shakespeare’s disturbing tale in a new light. Shylock (Adrian Schiller) and Jessica (Eleanor Wyld) reclaim their stories in Shakespeare's Globe's ‘heart-wrenching’ (The Guardian) 2021 production, played by candlelight and filmed live in the Sam Wanamaker Playhouse.

A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.

A BBC schools programme broadcast about Tom Stoppard’s abridged version of the play which was performed by the National Youth Theatre at the Royal Opera House in London. The televised recording of the performance is preceded by comments on the work in progress from stage director Paul Roseby and writer Tom Stoppard. Jeremy Irons, who played Antonio in the film version of The Merchant of Venice (2004), comments on the merits of producing a play with young actors.

A girl advocate foils a Jewish usurer's claim for a pound of a debtor's flesh.